I posted an article about Chewbacca the Scout on Curbside Classic on Sunday. It’s probably the most detailed account of ownership that I’ve written, and now that I’m looking it over, it’s obvious I’ve left out a ton of stuff.
The New York Times Editorial Board lays out the case against the Great Pumpkin: "Donald Trump’s re-election campaign poses the greatest threat to American democracy since World War II.". The whole thing is great, but I love this part:
In June, his administration tear-gassed and cleared peaceful protesters from a street in front of the White House so Mr. Trump could pose with a book he does not read in front of a church he does not attend.
...Slavery in the state existed “from the very beginning,” Wright said, from the 1600s until Maryland abolished slavery at the end of 1864, two months before Congress ratified the 13th amendment abolishing slavery nationwide.
We are lucky to have an example of the WPA's portfolio in our town, but I can see why this mural is confronting. I'd prefer not to take it down (it was designed to be integral to three walls of the Post Office) but I understand if they decide to, much like Confederate statues around the country. (previously)
Coup attempts have happened all over the world, and over half have failed. That’s because coups are hard to orchestrate. They are a violation of norms that require quick seizure of multiple levels of institutions with a claim that they are the rightful heir.
Coups tend to fail when government institutions (like elections) are trusted, there is an active citizenry and other nations are ready to become involved.
The role of citizenry is crucial. That’s because during the period right after a coup attempt— when the new government is claiming it is the “real” government — all the institutions have to decide who to listen to.