In the Yale Review, Chris Ware looks back on the author/illustrator Richard Scarry:

The Busytown books, as they came to be known—with their dictionary-like visual presentation paired with lightly slapstick situations and the presence of recurring, memorable characters like Huckle Cat, the Pig family, and my favorite, Lowly Worm—grew into a real-feeling big world that Scarry seemed to be letting little ones into.

As a kid, I spent countless hours poring over our collection of Busytown books: There was a welcoming simplicity to them, and they described people and places in a way I could understand easily.

I also picked up on something Ware mentions in his essay: a markedly European feeling to each book. There were cars and buildings and words that weren’t like the ones around me in Massachusetts or New Jersey and I was smart enough to notice the differences. So it made sense when he mentioned that Scarry lived in Switzerland after 1967, and during the period when his most popular books were published. There’s also an approachable quality to his artwork I always appreciated. His early work is technically excellent, but the loose style of pen and guauche artwork in the later Busytown series influenced my drawing style in ways I hadn’t really realized until thinking about it.