I scanned about 300 slides last night after the girls went to bed. I have no idea if this sounds easy or not, but it’s definitely a pain in the lower back. Doing the math, I was averaging 2 slides a minute, with two quick breaks along the way. What I’ve got to do is pull each individual slide out of the carousel and hold it up to see if it’s something worth scanning. Is it people? Is it people we know? Is it a landscape shot? Is it a picture of cars or lawnmowers or random flowers? Is it a duplicate shot of something I’ve seen before—and if so, is it better or worse? When I’ve found two I like, I put them in the carrier, put that on the adapter mounted to the front of the camera, and zoom in to the first slide to adjust the focus. When it looks sharp, I shoot the picture and repeat for the second slide. Then I pull it all apart, turn off Live View on the camera, put the slides back, and repeat the process, going all the way around the carousel.
At the rate I’m going I don’t think I’ll make it through all of the carousels. There are just too many of them and a lot of them are double-capacity, meaning they hold 140 slides instead of the standard 70—Dad used to curse these larger trays because half the time they wouldn’t work in his projectors and get all jammed up. Two trays a night is about all my lower back can handle.
He made some Greatest Hits carousels over the years where he’d pull one or two good shots from an event and put them in a new carousel, so things have slowly been mixed up over time. I’m running into photos that belong in a carousel I’ve already put back somewhere and thus are out of sync; the OCD part of me wants to organize them all and the practical side of me says fuck that, keep scanning, you only have the gear until Friday.
I know I won’t be able to post-process them all before the gear goes back, and that’s fine, because I’ll have plenty of time here at the house to do that. As mentioned before, there are so many variations on film stock and exposure settings that I’m constantly shifting settings around, but Lightroom has some nifty tools to apply settings to a batch of photos (a series of shots taken with the same film stock on the same day in the same conditions, can, with a few slight tweaks, all benefit from the same base adjustments).
I think what’s required is some triage of the last box-and-a-half of carousels to see what’s there and what demands archiving; if the number of carousels is high I might extend the rental for a few days, but if I can jam through the rest in the next three nights, I’ll do that instead.
And in the future, there are a bunch of pictures that are definitely worth doing some precision dust and scratch removal on—today I sent Renie a link to a portrait when she was maybe four; her hair is a beautiful curly mess, Dad got the focus and exposure right, the depth of field is perfect, the light is perfect, and she looks like an angel.