Remember when we were kids, and we’d play games out in the street or in someone’s backyard, and we’d call a do-over? Somebody’d kick the ball into a bush, or a car would come down the road right in the middle of an important play, and it was universally understood that things would just rewind a couple of minutes and start again, like erasing a videotape. Well, I’d like a do-over for most of yesterday, please.
It started out on an upbeat note; Mr. Scout brought over the window regulator for the Jeep and we tore the door down to put it in; unfortunately, the part was not a match to the one in my Jeep, and there seemed to be no way to use parts from the replacement to fix the broken unit.
We then decided to take advantage of the weather and go back to the pick & pull yard to hunt more Jeeps. It seems that parts (and part vehicles) are more plentiful for Grand Cherokees than for the regular model, both online and in the junkyard, and my particular model (2-door, second generation, power window) is even rarer than the 4-door. We did however find a junked PT Cruiser, which featured luxurious bucket seats that are supposed to be bolt-in replacements for Scout seats. Eight bolts later, we were walking up to the pay area with the seats on our heads, but not before making a detour to a section of the yard we hadn’t seen before, featuring some ancient Detroit iron: a three-porthole Buick, a rounded early 50’s Ford, and a pair of Opels, among other things. I shot about ten pictures, and we were on our way. As we got up to the counter, the redneck in charge of shoplifting told me they have a strict no-camera policy, and made me erase my memory card after giving me some bullshit about smashing lenses.
Returning to the Scout we’d found last week, we pulled a lot of plastic and other rare parts, having no luck pulling the hubs or the seat bases. It was about this time I checked my phone and found this lovely sight:
I don’t know when or how it happened, but it was enough to ruin my day right there. Strangely, I can still call in and out, and the touchscreen still works on the damaged areas. I’m going to visit the Apple store to see if there’s some kind of repair they can make; if not, it looks like I’ll be purchasing a 3G iPhone earlier than I planned.
My afternoon was spent working on an illustration; I decided to experiment with an idea I’d had a few months ago to see what results I’d get, using the negative space instead of the positive. The results were a lot less than I’d hoped for.
The linework looks cheaper, like a quick marker drawing, and not expressive like I’d imagined. It also could be because I’ve been having problems getting my cutting nibs to vary line weights properly—they seem to get dull very quickly, which is not what I’m used to. If I could regulate line weight better, I’d be happier with the results.
I took the same sketch and started making a traditional cut, and about three-quarters of the way through I realized the initial sketch, while reasonably good, did not capture McCain the way it should, and the resulting piece looks like someone else (Jen says it’s Ed McMahon). His head is not as long as I’d made it here, and his distinguishing features aren’t represented well enough.
There were several highlights from yesterday, so it’s not like I was constantly followed by a black stormcloud: we have Andersen 400-series windows officially on order for the front porch. Jen had a great client meeting on a new project, and we got our second delivery from the organic farm (I don’t know how we’re going to eat all this lettuce, chard, and spinach). I was just hoping to produce a success of my own, something I’m sure everyone can understand.
So it’s back to the drawing board for Jeep, phone, and scratchboard.
Update: One trip to the Apple Store, my choices were thus:
1. Continue to use the busted phone and guess at everything on the left side of the screen.
2. Wait until July and buy a new 3G iPhone for $200, but take an additional $10/mo. hit on my data plan.
3. Spend $250 to replace my iPhone with another 1st gen model.
I chose 3, because I’d love to have the 3G but I don’t want to pay AT&T an additional $120/mo. for features I may not even use. As it was, when the Genius rang me out, he told me happily they’d just reduced the replacement cost from $250 to $199, so I “saved” a little more money.
Upon inspection of the iPhone cases available at the store, only a select few might have protected my phone from catastrophic screen damage, and they tended to be the ugliest offerings on the shelf. (Imitation calfskin? stitched black leather? I don’t think so).
Check eBay for a phone case. I get all my Treo accessories at http://stores.ebay.com/nakedcellphone They’re good folks, dumb store name notwithstanding.
When I was a kid in New Jersey we had six channels to watch: the three main networks, the Fox affiliate (FOX 5, before it was Nazis, home of the Godzilla creature feature at Halloween and It’s a Wonderful Life at Christmas), Channel 29 (home of Star Blazers and M*A*S*H reruns), and PBS. One day I caught a show on PBS that had a guy dressed in odd pseudo-military clothing who taught kids how to draw, and the first time I saw it I was VERY interested in watching the rest of the shows. Unfortunately it never followed a schedule that made any sense and so I wound up only seeing a handful of episodes.
Fast forward to college, when my friend Tim and I were talking about random stuff and shared a common memory from youth: the drawing show on PBS. Turns out it was produced here in Maryland by MPT, and turns out he was a guest on the show as a kid for one of the episodes!
Fast forward to last night,when the same subject came up and I was talking about it with my sister-in-law. I had to find it, and the Internet provided: a series called Secret City, where the host tought kids to draw all kinds of different things. Enjoy:
This is a lovely rememberance of the hugely influential graphic designer/printmaker David Lance Goines, someone we studied in art school for both subjects. His was a singular visual voice, and he had a passion for typography (as most printmakers do).
Here’s how art is supposed to work: Someone writes a book. They write it with passion, with abandon, with honesty and lyricism and even a bit of recklessness. It is of their time, using the words of their time.
Readers respond to this recklessness, this abandon, this rawness, this timeliness. The only books that ever mattered to anyone are raw, are unbridled, are risky, and timely. Then, if a parent or teacher reads the book to a kid, and there’s a part that’s risky or controversial, discussions can be had. If the book is old, then the words and sentiments of that time can be taken into account.
Long ago in 1995 I was watching MTV while making my dinner and saw a clip featuring a scruffy-looking Portland band playing a killer song. I just happened to have a copy of the City Paper and saw that they were playing the 8×10 on a weeknight, so naturally I roped my roommates into going down and seeing the show, where we all had a great time and I bought a copy of the CD and a T-shirt. Any resemblance to my dog’s current name is purely coincidental. But this song rips.
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My friend Rosie, who I hired at WRI and subsequently got hired away by the Wall Street Journal, had her very first byline last week, a story on coaching trees in the NFL. Yay Rosie!
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Here’s some new tasty font goodness from an old-school design/web hero of mine: Dan Cederholm put up a storefront with some excellent display fonts and design-nerd merch.
Not Ed McMahon, Charles Kuralt.
http://www.rememberingcharleskuralt.com/
Check eBay for a phone case. I get all my Treo accessories at http://stores.ebay.com/nakedcellphone They’re good folks, dumb store name notwithstanding.