From the Electronic Frontier Foundation: How to Enable Advanced Data Protection on iOS, and why you should. I’d like to set this up among all of the devices we have here, but we run a lot of older gear that won’t be covered under this seup—and the idea that if I do enable this, we’ll lose some functionality on things like the Apple TV or this old laptop doesn’t thrill me.
We’re having some issues with our collection of fonts this week, so I’ve done some research. Here’s a list of handy font reference material:
Font Doctor, for fixing conflicts and repairing bad fonts. So far, our experience has been good. If it’s doing what it says it’s doing, we have approximately one BILLION fonts with conflicting ID numbers. It’s a nice little app, and it’s busily humming away while I type this.
How Fonts Really Work In OS X and Font Fatigue: Pruning Excess Fonts in Mac OS X go into detail (for 10.2) on where fonts live in OS X and how to deal with them. Both were written several years ago, but I think the information is probably relevant for today as well.
Font Locations, via Apple. Additionally, Using and Managing Fonts In OS X are also 10.2 specific, but full of good information. (Who knew that fonts live in six different places on OS X? This is not normally a problem until you load 10,000+ fonts into Suitcase—then you’re going to have some headaches.)
Finally, a Apple Forums article which goes into exhaustive detail about pruning fonts and then how to reset your system (essentially, prune the system, trash your font manager’s preferences, and reload everything) so that Quark doesn’t shoot you the finger when you try to use Helvetica. This is good information.
I’m still giving Linotype’s Font ExplorerX a thumbs-up, even though we’ve had some conflicts between its auto-activation feature and inDesign, forcing a retreat to Suitcase to get some things to work. I’m thinking this is an overall font conflict problem and not a Font ExplorerX problem, but stay tuned.
OK – give me your top ten current favorite fonts. I’ve been rather infatuated with Marker Fine Point for a while now. Jen doesn’t mind it, but my gut says you will loathe it.
I dig a lot of the old-skool fonts. Univers is one of the all-time greats. Garamond, although I’ve grown out of it, is beautiful. Rosewood, a font I used six months ago, seems to be the New Hottness right now (I used it because it fit the design, not because it was trendy.) SantoDomingo (above) is as trendy as I’ve gotten these days. Mostly, I like old advertising faces you can’t find anymore. I’ll post more later.