Here’s a list of the best budget medium-format cameras in 2024; I’m happy to say I’ve put film through two of these and have a third waiting for a test. I used and later sold my Rolleicord, but still have my Yashica-D and a very early Zeiss Ikoflex. I’d love to try out one of the SLRs but I’m just not shooting enough photos anymore to justify the cost.
I’ve been having fits with my DJI Action 3 up until this past week, when I finally found a MicroSDXC card that was compatible with it; trying all ten of my existing cards (two of which are on the official DJI compatibility list) I was getting “card not compatible” errors and dropped sound and footage when it did actually record. With the new card, I can finally just turn the damn thing on and record. Having to wait around to see if it would bonk out and shut itself off was getting very irritating, and it sucks when you can’t depend on a piece of gear like that.
Meanwhile, after 11 years of working with GoPro cameras, I’ve run into my first problem with corrupt video files, and I can’t figure out how to fix them. I had a beautiful Sunday to work on the truck, and I made a conscious decision to set up the Hero5 on a tripod, external battery, and a 256GB card and just let it record what I was doing so I’d have some more footage to cut into and out of when I built a video. The first two files recorded fine, but everything after that corrupted; I wound up with about 30GB of files that I can’t view.
Most of the online solutions are Reddit threads directing to paid services (or copies of those threads; the Internet is a cesspool these days) but I did find a couple of suggestions that made sense. Opening and re-encoding in VLC didn’t work. Handbrake can’t even see the file as valid. I don’t have enough command-line experience with ffmpeg to understand how to use it—although I might be teaching myself in the immediate future. There’s an online service called restore.media that I fed a couple of files into, but haven’t seen any success with it. I guess I have to accept that all of that footage is gone, which really kind of sucks.
So I’m glad I was able to get one of the cameras working, because if I hadn’t, I would have no footage of the weekend’s work.
Wow, this looks pretty cool. DJI is releasing a $200 drone that shoots 4K 30fps video and will fit into a pocket. The DJI Neo is a simplified handheld drone that will follow a set of preprogrammed commands out of the box (follow, hover in place, orbit overhead, and zoom) and then come back to the point of origin to land. If you shell out an extra $129 for a controller you can send it up to six miles away—but you’d probably have to go get it, as that would most likely tap the battery.
Again, I don’t shoot enough to need a drone, but this would be a fun toy to play with for a weekend.
It’s a lovely slow news week here at IdiotCentral, as I’m up in New York visiting the family, sitting on the couch and basically not doing much of anything. Going through the Dropbox archives and cleaning up my files I came across a set of shots from Bimini in 2003 that weren’t color-corrected, and decided to do that very thing. They were shot in a time when RAW images were a new thing and I wasn’t shooting in that format yet; these are from one of my dive team (which explains why I’m in them and not behind the camera). I got them as JPGs which means my ability to correct them is limited, but I think these look better than they were.
I’ve been spending a lot of time away from the computer in Portugal for both mental and practical reasons; I spend most of my waking hours in front of one on a normal day so it’s great to look up from the keyboard and not think about looking back down for several days on end. I have had to consult it here and there (where are we going? is there street parking? what time are the tickets? do we need ID to get in?) but I’ve tried to keep things as non-technological as possible. My Instagram feed is pretty quiet as well.
We’re back in Porto, where we have an apartment lent to us by friends, for the first time in five days, and we’re sitting on the couch relaxing while a tiny European washing machine gurgles on the patio next to us. Today’s itinerary is “fuck-all”, as we’re catching up from some travel through Portugal, into Spain, and back again, and waiting for clean clothes. We put about 745 miles on a rented Peugeot 308, staying in hotels along the way, and we got to see some amazing sights. Portugal is like what Ireland would be if it was in California: there’s another castle over every hill, except that they’re still in excellent shape and not surrounded by sheep. I’ll write more about the details later.
I made a conscious decision not to bring a ton of cameras on this trip after talking it over with Jen. Instead, we both upgraded our aging iPhones to new 15 Pro models, and I’ve used mine as my primary since we’ve been here. I also brought Dad’s 35mm Minolta X7000 and my DJI Action camera, but that’s the extent of what I’ve been lugging around. It’s weird not to be using a dedicated camera for the first time in 25 years, but what I’ve been getting out of the iPhone has been pretty damn good. And I’m not ashamed to say we’re leaning into the selfie on this trip, as we don’t have a lot of current shots of the three of us.
In preparation for our upcoming trip, Jen and I were talking about whether we were going to bring cameras to Europe. Having sold my lightweight Fuji rig earlier this year, I was looking at hauling around a full-size DSLR and lens if I was going that route, which was less than optimal. Looking at our iPhones, we both came to the decision that it was time to upgrade from our 4+ year old iPhone SEs to something a little more modern, and use those for shooting photos. Jen and I are slow-walking technophiles: we are surrounded by technology but we upgrade only when we have to. We tend to keep our stuff until it’s either broken down or technologically unsupported; she’s using a 9-year-old laptop and I finally upgraded an 11-year-old machine this year.
Our phones have been rock solid and reliable but they’re getting long in the tooth. My battery is only good for a couple hours and the single-lens camera is functional but not optimal. So we went to the Apple Store on Sunday to pick out some new phones. After a little research we both settled on the iPhone 15 Pro, which is only a little larger than our SE’s but all screen, with the fancy camera, better processor, more storage, and most importantly, a long-lasting battery.
We set Jen up first and went so far as to having the boxed phone on the counter, but AT&T’s activation servers were down so they couldn’t get the process started. So we had to leave empty-handed, and have to return tonight to try again.
Meanwhile, I’m considering taking the Yashica TLR with me, because I can’t be without a giant heavy mechanical object of some kind. Or maybe I’ll respool some film and take one of the 620 cameras instead…
I’m at the end of Day Three of the Comms retreat at work, and we’re doing a lot of talking about human-centered stories focusing on people working at the very tip of our spear: the men and women who are making change on the ground through initiatives and programs we’ve founded. Traditionally, we’ve sent people into the field to collect stories: a researcher, local handler, photographer or videography team. Back In The Day this would have been me; I was lucky enough to go to a number of foreign countries to capture footage and interview people, then come home and cut it together into a video.
But that’s expensive, and we’re facing shrinking budgets (while our overall financial health improves, go figure) and fickle audiences who expect different things these days. Vertical self-shot TikTok-style videos get the eyeballs while more polished videos don’t resonate with larger audiences. There are exceptions, and this is a generalization, but with YouTube and Instagram offering vertical reels and LinkedIn close behind, I have to accept that my cinematic way of doing things isn’t the best way anymore.
One of my colleagues, an ex-BBC journalist, showed me an inexpensive camera rig he’s been working with lately: a DJI action camera in a GoPro-style form factor with a ton of slick features I wasn’t aware of. He and I brainstormed the idea of setting up shooting packages for our country offices where we’d put together a camera and sound rig with instructions in a box and ship them to some of the places we want to highlight, and have people on the ground shoot content for us.
I was already looking at upgrading my GoPro rigs (now eight years old) for something easier to set up and use, and the DJI camera features a front and back touchscreen, automatic horizontal/vertical axis sensing, stabilization, and a host of other features (plus a swappable battery, something the GoPro Sessions don’t). I pulled the trigger and bought last year’s model from Amazon to do some testing with my YouTube project, and I’ll see if I can get a rig together that I can recommend for my colleagues in the field.
This year, our usual gang of truck nerds couldn’t make the date for the IH Nationals in June, so we decided to switch things up and go to the Harvester Homecoming, which is held a little further west in Fort Wayne, Indiana. That event is held on the grounds of the original IH assembly plant, so I’ll be taking Peer Pressure back to her birthplace. (IH Nationals is now held at the Truck Assembly Plant in Springfield, where the Travelall was built). It’s in the beginning of August, which will prove to be a hot drive, but nothing we haven’t done before. And that’ll give me a the summer to really shake out the cobwebs in the truck, which didn’t get run a whole lot last year. None of us have been to the Homecoming so we don’t know what to expect, but it looked like the event was fun and they had a big turnout last year.
DJI has released a cheap, tiny new drone which skirts under the legal requirement to get FAA registration. It’s called the DJI Mini 4K, and it can shoot 4K at 30fps for 30 minutes and has a range of 6 miles. The most important thing is that it’s priced at ~$300 for the basic kit, which is very tempting. Hauling the old Phantom 2 around in its giant Pelican case was a pain in the ass, and I’m sure the advances in stabilization, camera technology, and basic drone technology would make that old Phantom feel like a box camera under a kite. File that under toys I don’t need but would be fun to play with.
→ This is a syndicated post from my Scout weblog. More info here.