This week’s brainpan echo: Fu Manchu, Mongoose. I have a deep love for stoner rock: bluesy, distorted, repeating riffs with nonsense lyrics and a driving beat. Fu Manchu has been around for decades and brings the thunder on this track; their killer-to-filler ratio is much less than a QOTSA or Clutch, but when it works, it works.

She Drives Me Crazy, by the Fine Young Cannibals. This song has taken up residence in my brain after I listened to a podcast about the quick life and death of this band, who made two albums and split up in the late 80’s. I wasn’t a huge fan back in the day but now I have more respect for the production and craft, and it’s catchy as hell. Bonus trivia: the guitarist and bassist were both from The English Beat, another favorite band of mine from the early 80’s.

I’ve had Falling Hard by the Crystal Method going through my head for the past couple of days. This was released 17 years ago, in a time period where a lot of electronic acts were teaming up with vocalists. I just love the groove of this song. Apparently one half of TCM retired a number of years ago and it’s just one guy now. I haven’t really dug into their stuff lately, but what I have heard is OK, I guess. I miss the Big Beat artists of that time period, and the first two TCM albums are desert island discs for me.

This week’s earworm: another oldie, this time from an electroclash group called Ladytron, called Destroy Everything You Touch. I found this on an MP3blog back in the day and loved it; for some reason it snuck into my brain and has been on repeat ever since. I don’t know if Ladytron ever had another hit after this, but they’re still around.

I was a big RHCP fan back in the late 80’s, when they still had the original lineup, moving into their first album after the death of Hillel Slovak. At Lollapalooza in 1990, I bought an overpriced RHCP hat that never fit my head correctly, and which I later sold—an expensive lesson I took to heart. My taste for the band tailed off pretty quickly after that, to the point of indifference and outright distaste. They’ve had some highlights in the intervening years, however, and this song was one of my favorites when it was released almost a decade ago. It’s gotten stuck in my head this week, and it makes a good companion for gray fall days: it’s propulsive, but (to my ears) melancholy, almost sad, especially if you ignore the lyrics. When this band hits on all cylinders, they are still amazing.

Lights Out, by Royal Blood. It’s amazing how much great music two guys with a bass guitar and drums can make. When I first heard this track I thought there must’ve been at least three people in the band, but he’s using a combination of pedals to both mimic a guitar and bass and widen out the sound. And the drumming is really tasty. Their first two albums are killer, and then they changed their sound up a little bit, leaning into disco, which I didn’t enjoy as much.

I had a Spotify playlist going while I was working in Brian’s garage and this tune came up, and now it’s stuck in my head: Phantogram’s Howling at the Moon.