This morning, theoretically, I am on day one of my second sabbatical at WRI. I spent the last three months cranking on a big project at work and with a few small details left, got it over the finish line (more details on that soon). I’ll have to plug in for a couple of small meetings next week, but hopefully I can step away and enjoy the next five weeks doing some personal projects and seeing family—because in the fall, things are going to get very busy again. Brian is looking at a Nissan Leaf parked in his driveway and wants help disassembling it for his electrification project, and I’m hoping I can put in a couple of solid weeks helping him with that. I’d actually like to keep working on that through the winter because I am keenly interested in that project. And as always, there are projects here around the house to tackle, and I’ve got a red truck that I wanna get on the road before the snow flies. I’m also signed up to get my concealed carry license next week, and I intend to put some time in at the range.

I will never own a watch this expensive in my life, but watching this guy disassemble, clean, and reassemble an original Rolex GMT was fascinating. This watch is gorgeous, and would be everything I would want in a vintage timepiece. That bakelite bezel is beautiful—the rich color and typography are absolutely perfect, and the wear on the whole watch is just right.

I’m currently taking a class/working group for creative directors run by the CD at Ogilvy Canada. I found it through my social media feed and signed up for it on a whim. I was lucky to get WRI to pay for it (after 11 years, this is the first class I’ve asked them to pay for) and so far it’s been pretty good. The class size is much bigger than I was expecting, and there are a lot of people who are in the place I was after about two years at WRI—they had the title, had been doing the work, but are still trying to figure out how their role fits in at whatever agency/company they’re at. This Thursday we went through the creative brief and roughly half the class had never written or used one, which I found kind of shocking. But something I’m finding universal is the lack of any formal training or mentorship for this role; if you’re lucky you work for a CD somewhere as a design or art director and they show you the ropes. My experience involved little mentorship—I had to figure it out along the way, which has been the theme of my entire career. The class will run through most of my sabbatical but that means I’ll be able to focus on the homework better.